People Power: The 1p Album Club

The beauty of music is that it is a phenomenon which is accessible to all, to rich or poor, Scottish or Chinese, human or goldfish. This is due to the fact that the idea of music is on such a wide scale as it can be found from the Wembley Arena to homemade didgeridoos in the Australian Outbreak. This is why I was so interested when I found out about the 1p Album Club as it gives ordinary, everyday music fans a voice. In fact the 1p Album Club has even gained support from the likes of Bernard Butler.

The 1p Album Club's origins is a group of friends who realized that music is currently being undersold. By downloading an album for 1p from Amazon and reviewing it, readers are able to see the true value of music across the board. Although many may argue that they are practically stealing albums by purchasing them for 1p, I disagree. The reviews are aimed at not just music fans, but those who care about music. Therefore by giving the albums publicity and an honest opinion, people are more likely to purchase the album at an honest price. The 1p Album Club is open to all, and as they claim on their website, there's no clubhouse, membership fees, handshakes or uniquely striped tie. 

If you are interested in the 1p Album Club or would like to get involved then click here for info or even follow them on Twitter

Man Like Me at New Slang

It is quite difficult to write a review on a gig when many pints of alcohol were involved but I will sift through the hazy blur to try my best to remember the events of last Thursday night.

Man Like Me may be known to many from the Ikea advert as Johnny Langer walks through various kitchen designs as 'you will always find him in the kitchen at parties (at parties!)'. Man Like Me is a fun collage of many different genres with a bit of hip hop, a bit of indie and a bit of rave.
I saw Man Like Me perform at New Slang in Kingston Upon Thames last year and although I had never heard of them before that night, I became hooked. The night was full of mental energy and they performed so well that I worried that Thursday night would not live up to my expectations.

Fortunately I was so wrong.....

Man Like Me returned to New Slang in all their crazy glory with 'Yo True' as their support act and I had never seen such a crowd at New Slang since the switching of venue. Yo True as a support act was rather a let down as I felt their R&B vibe was too relaxed, something to jam to on a sunny afternoon rather then warm up a stage with.  Despite this I did like the set up of having two drummers, one on a normal set of drums and the other on a pair of bongos complete with wind chimes. They exploded with a with what I felt was a promising song halfway through their set, but after this it just seemed to fall flat again.

I acquired a spot just in front of the stage on the right hand for side for Man Like Me just as Johhny was wheeled on stage in a trolly, which I strongly suspect was nicked from the local Sainsbury's, covered in an orange sheet resembling a ghost from Essex. This set the madness for the next 40 minutes (at least I think it was 40 mins, there was no way of me telling being in a crowd of ravers). I instantly fell in love with the two men who were on saxophone and trumpet, dressed like they were members of The Specials but with all the cheekiness as though they were in Madness. Throughout their set they played a mixture of songs from both their debut self-titled album and the recently released 'Pillow Talk.' The biggest crowd pleaser seemed to be 'Squeeze' which got us all whipped up into an electric ecstasy. My favourite member of the band has to be Ade, a powerful African soul singer who has a voice so powerful he could easily conquer the world on his voice alone. At one point during the performance the cheeky Johnny came close to breaking his own neck. As he stage surfed he was pushed backwards where the ceiling suddenly lowered, putting his neck at very scary angle before being hauled safely back onto the stage.

All in all, it was a night full off immense energy both from the band and crowd alike. My own personal highlight has to be when they finished up with 'London Town' as their encore. Any fan of Man Like Me will know the dance moves that accompanies the song and the whole crowd went 'down, down, down.....'

Pillow Talk is out now. Purchase it from your local record store.

Exclusive Interview with Sean McGhee: Inspirations, Doctor Who and Same-Sex Marriage

Summer 2012 saw the emergence of an exciting music collaboration between Suede guitarist Richard Oakes and renowned music producer, songwriter and composer Sean McGhee. The duo took the form of Artmagic, creating songs which inspire and uplift the spirit. I had the pleasure of seeing Artmagic perform a discreet instore gig at Banquet Records last July with the simple set up of Oakes on his acoustic guitar and McGhee armed with nothing but his own vocal chords. Performing songs from their album 'Become The One You Love' was a perfect backdrop to the hazy, summer evening in Kingston Upon Thames. 

During the time between that summer's evening and the present day, Sean McGhee and I have exchanged a few jokes and opinions via twitter, so therefore a few days ago I plucked up the courage to ask him for a short interview, which he so kindly agreed to.
If you like what you've heard about Artmagic, then be sure to head over to their page now Click here

What was the first album which you owned?

I'm the youngest of a reasonably big family so even before I had any music of my own there were always albums and singles around the house. The two that I remember making the biggest impression were "Carrie" by Cliff Richard (which is still a tune-and-three-quarters) and "Games Without Frontiers" by Peter Gabriel, which casts such a long shadow over my musical development that it's hard to imagine my sonic landscape without it.

I can't remember specifically the first album I owned but it would have either been one of Abba's albums or "Speak And Spell by Depeche Mode. I asked for, and received, Abba's "Super Trouper" album for my fifth birthday but on cassette, not the vinyl I had hoped for. This happened again with Howard Jones's "Humans Lib" on my seventh birthday. You think I'd have let this go by now, wouldn't you? (I have them both on vinyl now. It was cheaper than therapy.)

Did this album leave a lasting impact on you?

Did it ever. Listening to Depeche Mode  was like being flung into a brash new technological world, as far removed from the granite houses and rainy farmland of  my childhood surroundings as you could get. And the same with Abba. If Mode promised a future of new sounds and electronic otherness, Abba offered a kind of child-friendly emotional complexity couched in perfect yet somehow exotic pop songwriting. I used to gaze at the credits on Abba albums and wonder, what's an engineer, what's a producer? Something in me needed to know, even then. And so, here I am.

With the closing of HMV, how do you feel the future looks for Record stores?

Well, HMV isn't gone yet, but let's face it, their panic-stricken attempts to work out what they should be doing as retailers over the last few years give some clues to why they've ended up like this. Are they a music shop, a DVD outlet, videogame retailer, secondhand merchant, hi-fi store...?  Nevertheless, they're the last bastion of music retail on the high street, so even if it's in a limited capacity, I genuinely hope they survive. When the Artmagic album came out, it was a source of great pride to us that HMV carried it, because with independent record shops also dwindling in number, where else is left for impulse purchases?

Having said that, Artmagic  did numerous instore performances last year at a host of excellent independent shops, and I made a point of saying at the end of each one, "buy our album please, but even if you don't, please don't leave without buying something, because stores like this are essential and you'll lose it if you don't use it." I genuinely love record shops, and hate to imagine a future without them. 

Summing up the future of music distribution is tough, though. Streaming is going to be a big part of it but a great record shop offers a kind of curatorship between the staff and the customers, making recommendations and bringing previously unheard music to the fore. I hope that kind of space will always exist, and I think the internet can't compete on that level. But they will only survive if we support them. And that means making an effort that may be beyond a lot of people who are used to the convenience of online shopping.


You work with a wide range of artists across different music genres, where do you find the inspiration to keep your work ‘fresh’? 

I listen to tons of music in tons of genres, especially ones I don't usually work in. And I try to leave room for improvisation when I work, and not get bogged down in theoretical questions. There's a thrill to diving into the unknown.  Also, a constant process of analysis and a hope to keep making better music.

Which artists/bands have caught your eye (ears) at the moment?

The new John Grant record, "Pale Green Ghosts", is a triumph - great to hear him taking a stylistic left turn but still retaining the love of melody and coruscating gallows humour that marked his previous work.

"Broadside" by Bellowhead, "Standing At The Sky's Edge" by Richard Hawley, "Ashore" by June Tabor, "Channel Orange" by Frank Ocean, "Awayland" by Villagers", "Mummer" by XTC and Now 83 have all been on heavy rotation of late. 
And one must not underestimate the power of Britney ("Scream And Shout"), Disclosure ("Latch", "White Noise") and Little Mix ("DNA").  

Not Jake Bugg, though. One Direction FTW.

What inspired you to embark upon the Artmagic project with Richard Oakes?

A desire to carve out a space to call my own, and to work with the most-underrated writer and guitarist of his generation.  He writes the most gorgeous chord changes; a troubled panorama of light and shade.  I can't help but respond to what he does. If Richard's music were a film, it would be "Magnolia". He's so good. It makes me chuckle to think that his 90s contemporaries ever thought they were in with a chance, really.  Not to mention the current generation of retromaniacal "indie". How I hate that word. It used to mean "independent" but nowadays it's too often a byword for relentlessly uninspiring British music in endless shades of brown.  This is why I'm so pleased that we have Everything Everything, Wild Beasts and Field Music carrying the torch for interesting guitar-based pop.

‘The Gift of Flight’ from your album ‘Become the One You Love’ was inspired by equal marriage. Do you think with the success so far of the equal marriage vote that there is new hope for the younger generation struggling to come to terms with their sexuality?

I hope so. I endured that particular struggle before civil partnerships, an equal age of consent or any sign of real equality, so it's hard for me to imagine how it would be to come out now. It seems like it might be easier but the world is still highly heteronormative. But at least now our equality is mostly enshrined in law. There's still a way to go, though. I look forward to the day when sexuality is no longer any kind of news - that's why the equal marriage vote means so much: separate but equal is no equality at all in the long run. 

Is there a second album from Artmagic on the cards?    

Most definitely, yes.

Lastly, as a Doctor Who fan, who is your favourite Doctor and why? 

Sylvester McCoy, I think. I love all of the Doctors but something about Sylvester's performance gives me a huge amount of pleasure.  The good Doctor comes up a lot so I worry that it seems like I watch little else, but there's plenty of other TV I love; Breaking Bad, Nurse Jackie, A Bit Of A Do, A Very Peculiar Practice, The West Wing and Friday Night Dinner have all been big hits round my way recently.  Mind you, I have to say that Doctor Who at its worst is usually more entertaining than most TV at its best.

Meeting Artmagic at Banquet Records. Sean McGhee second from left.

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Celebrating Female Musicians

Happy International Women's Day! In light of this celebration of the sacrifices that have been made for equality, I shall be dedicating a post to female artists who have proven themselves forces to be reckoned with and a positive role model for all other women.

Being a 90's baby, I was thrust into the era of the Spice Girls and the whole rally cry of their slogan 'Girl Power.' As a 5 year old I would run around in a Liverpool football shirt (despite being a Chelsea fan) so I could be more like the kick-ass Sporty Spice. The era of 'Girl Power' left a lasting impression upon me and I grew up as a feminist. Music is something we listen to in our day to day lives and can influence what we wear and how we behave. Therefore I'm dedicating a post to the female artists who leave a positive message on their listeners.

Gwen Renee Stefani

Gwen Stefani rocketed to fame as the only female member of pop-rock band 'No Doubt' but being the only female member did not mean that she was just there to be a pretty face. Those who were there in the '90s will remember the punchy lyrics of 'Hey Baby' as Stefani makes it known who she is;
'I'm the kinda girl that hangs with the guys/like a fly on the wall with my secret eyes'
Despite declaring that she is a 'misfit' Stefani has grown to be the envy of all womankind. After No Doubt she stepped out by herself not only as a successful solo artist, but also as a prominent fashionista by designing her own clothing line L.A.M.B which is highly inspired by urban Japan.
It is for all these reasons that I have never outgrown Stefani as an artist as she always manages to keep a fresh image, not compromising her reputation by falling out of nightclubs.

Deborah Ann Harry 

Is there anyone who is more uber-cool then the Queen that is Debbie Harry? The face of Blondie, Debbie Harry will always go down in music history as an icon. Again, the only female in the group, Harry was still the leading force and her punk-to-the-core attitude is what arguably made Blondie a group which will never be forgotten. In addition to her musical talent, Harry has shown of her skills as an actress by appearing on Broadway shows.

Megan Martha White
Meg White was one half of 'The White Stripes' and her down to earth, shy personality has always made her so likable. While enjoying success with The White Stripes, Meg and Jack always claimed to the media that they were brother and sister as they didn't want their fans to get distracted by the fact that they were in fact, ex-husband and wife (still not brother and sister before you ask).  Meg and Jack were married in 1996 with Jack obtaining her surname White, which even in this day and age is quite revolutionary. Meg White is an inspiration for every female musician as she has never resorted to using her body image to sell her music, her and Jack were a huge success just by being themselves. 

This post is dedicated to all the dog tired, punk/indie/guitar loving students out there desperately attempting to reach their essay word limit while the outside world goes by in a sunny haze. If you, like me, are looking everywhere for an ounce of motivation while you're glued to your laptop and books, then fear no more. For I have carried out an experiment today in your name where I was seeking the perfect album playlist to motivate you through the long hours.

I started with THE CLASH - THE SINGLES (running time approx 63.89)

The opening tracks will explode you into a state of bewildered awareness as Joe Strummer caws his way through London Calling, infects you with his Duracell bunny energy with Rock The Casbah and stamps his feet through Should I Stay or Should I Go? However by the time you reach The Magnificent Seven with its whole 'white working class man smoking a spliff' vibe you will be bobbing along to the reggae beat as you plough your way through your work. But don't worry as White Riot may shock you back into alertness should you start drifting away.  

Next up was the MANIC STREET PREACHERS - GENERATION TERRORISTS

This album will certainly be an inspiration to any student studying a course of a creative nature as we are told to 'regard all art critics as useless and dangerous' (quote taken from the Futurists' Manifesto). But before you begin, make yourself a coffee, take a moment to ponder on where on earth Richey could be right now, press play and get back to your essay. The teasing guitar work to Slash n' Burn will encourage you to Slash n' Burn through your workload and as we reach Natwest-Barclays-Midlands-Lloyds you can shout along which will relieve you from all that frustration that Student Finance inevitably brings. Repeat (stars and stripes) is certainly not for Royal family lovers (but if you love the Queen then why are you even a Manics' fan anyway dumbass?) but singing along to this punchy tune will make you feel naughty and rebellious, thus relieving any stress at being so tied to an institution such as University. Although depending on how you are getting along with University, I would avoid Theme from M*A*S*H (suicide is painless) should you be feeling really depressed.

Third on the list was JACK WHITE - BLUNDERBUSS

By this point, depending on your concentration levels you may be procrastinating quite heavily. Although Sixteen Saltines is quite a heavy, shout along track, Blunderbuss should begin relieving you off stress with the lyrically violent but still quite calming Love Interruption. By the time that White's cover of I'm Shakin makes an appearance, let off some steam by shimmying your booty around the room. Hip (Eponymous) Poor Boy is also a nice little track to hum along to as you polish of your paragraphs.

If you're not yet in an essay coma, next is THE STONE ROSES - SECOND COMING

If you've made your way through all the previous albums and you've made it this far, you must be feeling pretty sleepy by now. Fear not, the Second Coming will ease you through with the epic intro to Breaking into Heaven giving you a reason to carry on living. Tracks such as Ten Storey Love Song and Straight to the Man are gentle on the ears and head. Begging You however will remind you that you are on a very important mission and will get your heart pounding along to the amazing bass line more then a Red Bull could ever achieve.

If you've made you're way through all these albums and are still tapping away at the keyboard, then for the love of God - GO TO SLEEP! This is my final few months at university and there are many more out there who are in the same position as I, wishing there were more hours in the day to reach those dreaded deadlines. I hope this album playlist will get you through those endless days and nights which are ironically too short.

Bowie-Mania hits our shores again: Bowie at the V&A

Like every other Bowie/Ziggy/ Aladdin Zane / Halloween Jack (etc) fan I am literally counting down the days to the 23rd March when the David Bowie exhibition at the V&A Museum will open it's doors. The exhibition will be exploring all the many aspects of Bowie's career that made him the effortless icon he is today. The exhibition will feature over 300 items which include handwritten lyrics by the man himself, the stage costumes that thrust him into the limelight, Bowie's instruments plus many more.

The focus of the exhibition will be upon the creativity of Bowie which led music into a new age, setting the bar ridiculously high for any musician which wished to emulate his style. The V&A offers fans a 'fly on the wall' look at Bowie's collaborations with photographers, artists and designers through Bowie's own personal items.

It is about time that 'Bowie-Mania' hit our shores again as Bowie is a revolutionary figure, the Marx of the music world. Through his eccentricity and split-personalities, many of his fans in the 1970s did literally believe he was 'The Starman', visiting earth to liberate the people from the stuffy society. In my eyes he has achieved this aim plus I would not be surprised if his birth certificate emerged stating that Mars was his place of birth.

If the exhibition fails to quench your thirst for Ziggy then CLICK HERE to browse the various events which the V&A will be hosting surrounding the exhibition.

Day of the Demos

This time of year, all music fans seem to be sitting on the edge of their seats eagerly awaiting album releases from their favourite music artists and oh, do we like being teased with juicy snippets of news! Today I have come across two new demos from none other then Carl Barat and Noel Gallagher.

For those of you who are not a 'fan' of Carl Barat on Facebook then you may not have come across his teasing demo of 'War of the Roses' which would feature on his album in autumn. When I first  came across the song and saw the title, my expectation was that it would be reminiscent of the slow, romantic tracks on his previous album such as 'Shadows fall' or 'So Long My Lover' however I was pleasantly surprised with the direction that Barat has taken his new material. War of The Roses punches the speakers with a kick-ass attitude in the bass line which he complements within his lyrics where he seems to have more confidence in singing then his previous solo work. The song takes us to his urban north London roots with its blare-out vocals towards the end and the catchy rhythm. All in all, although War of The Roses is much more daring then his previous solo songs, it will not disappoint Barat's fans as it has many of his characteristics with a healthy dosage of elements from The Libertines. However as I mentioned before, this demo is just meant to be a teaser and a bedroom recording which Barat 'let slip'.

If you are curious, then head over to Carl Barat's Facebook page; click here for a cheeky listen

Ok, so I may have grabbed your attention with the news of Noel Gallagher's demo of 'She Must Be One Of Us' but it seems I may have been a little too slow in checking out the video as I was met with a rather defiant declaration of 'This video contains content from EMI who has blocked it on copyright grounds'. At least we have a title and a very strong suggestion that there may be an album release in 2013 from the eldest Gallagher.