With the recent release of their debut single 'Reap From The Dying Love', BAMBI hit the Camden scene on Friday 13th. The night wasn't unlucky for anybody involved as they played one of my favourite intimate venues, Barfly.
The band have already been featured on NME's Radar,BBC Radio One's 'Introducing with Jen and Ally', BBC London and Hollyoaks alongside catching the attention of Tom Robinson, Absolute Radio and XFM. The BAMBI lads managed to deliver these promises without any pretensions. Placing their unrivaled, contagious energy into their stage presence and musical delivery, BAMBI created an electrical atmosphere in the room. My usual taste in music are songs that include just one aggressive guitar line, so when I saw that there were not one, not two, but three guitarists, not including the bassist, I was rather dubious. However the intricate layering worked wonders and created a vibe not dissimilar to The Foals whereas the echoing vocals brought to mind certain elements of Echo and the Bunnymen.
The set was a relatively short one with just six songs, but I found that this was still quite impressive given that they have only just released their debut single and the accompanying video for it. With their casual, down to earth personalities, the only place that BAMBI can go from here is up, up and away. Although I hope the bassist does recover from what I assume is stage fright, as he tucked himself away at the back the whole time.
With the name BAMBI, many would visualize a wide-eyed Disney character, frolicking with his woodland creature friends. This is not the BAMBI that has recently exploded onto the London scene. Having only formed as little as 7 months ago, their unique and original sound has caught the attention of Tom Odell, Professor Green and Mark Ronson, all of whom they have supported.
'Reap From The Dying Love', their debut single which will be released on the 17th November, grabbed my attention and held me captive. The melancholic, intricate intro combined with James' haunting vocals crafts a gothic feeling, not dissimilar to the sounds of Echo and The Bunnymen. This couples well with the Victorian romanticism in the imagery of the lyrics (She's the Jekyll to my Hyde) which creates overall an ethereal atmosphere with the harmonizing vocals, but the track is still deemed danceable by Jordan's work on the drums.
I'm not always one that 'approves' as such of those who rip off other artists' materials and there is nothing more infuriating than when it does happen, but at the risk of upsetting many dedicated music fans, there are quite a few covers of classic song that (dare I say it) are better than the original. Maybe this is because sometimes it is easier to identify ways in which to improve a song from an outside perspective, or it's just been adapted to suit the tastes of a certain genre, deeming it more likeable to an individual's ears.
Below I have picked out a few of my favourite examples of where an artist has covered a classic, and in my opinion, have done a much better job of it.
Oasis: I am The Walrus by The Beatles
It is no secret that the Gallagher brothers admired The Beatles far more than they admire one another and this cover of the drug-fuelled 'I am The Walrus' is a fitting tribute to the four mopheads. Oasis released their live version of 'I am The Walrus' as a B side to their better known single 'Cigarettes and Alcohol' in 1994. Although I have always loved the original, there have been times when the imagery of 'yellow matter custard, dripping from a dead dog's eye' combined with the monotony of Lennon's voice has made me feel as though the Liverpudlian lads were pumping funky-brownies through my speakers. For me it is the slow, steady guitar rhythm that makes me feel uncomfortably freaked.
However, Oasis did a fantastic job of adapting the track for us less hippy inclined rock 'n' rollers by including guitar solos alongside a heavier drum rhythm. This combined with Gallagher's vocals makes it ideal for those who would choose moshing over chasing dragons.
Nirvana: The Man Who Sold The World by David Bowie
Another iconic cover that was released in 1994 is courtesy of Nirvana covering Bowie's 'The Man Who Sold The World' which featured on their MTV Unplugged in New York album. The melancholic riffs and reflective, sombre lyrics is everything that Kurt Cobain was. Watching the performance we can almost believe that Cobain was The Man Who Sold the World'. Was Bowie bitter the cover was so successful that many thought that it was a Nirvana track? Not at all! 'It was a good straightforward rendition and sounded somehow very honest' he mused (although he did reportedly get a little peeved when fans told him that they liked that he had performed a Nirvana cover). Echo and the Bunnymen: People Are Strange by The Doors
The Doors originally released the lonely ballad of 'People Are Strange' in 1967 which managed to reach the top ten charts. Although the jaunty chord progression deems it worthy of being a blues anthem for all the lone wolves out there, it doesn't half tug on the heart strings. There is very little that differs in the cover by Echo and the Bunnymen, which was released as the soundtrack for the 1987 cult classic film 'Lostboys', except for a bigger emphasis on the guitar riffs which strips away the 'wild west' imagery which the Doors created in the original.
